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    • Gisella Castagna ’22 sketches a greyhound in a raincoat during the gallery opening of Tabula Rasa.

Tabula Rasa: An Interactive Gallery Experience

Saira Munshani’20 Voices Editor
The concept of “tabula rasa” has been developed and considered all over the world, and it now makes its mark on Hopkins as the theme for the community art show this November to January in the Keator Gallery.
The term originates from the “tabula” that was often used when Romans took notes, and could become blank again by heating and smoothing the wax on it.

The exhibit at Hopkins celebrates the concept of “tabula rasa” and envisions the concept on the gallery walls. Throughout the past month, students have been coming in and drawing various images and ideas, ranging from a favorite moment in history to Shakespeare jokes. Unlike past exhibits on The Hill, Tabula Rasa at Hopkins will have a closing reception, in addition to the opening one, to celebrate the creations of faculty and students.

The philosophical discussion around the concept can be traced back to Aristotle, who asked, “Haven’t we already disposed of the diffculty about interaction involving a common element, when we said that mind is in a sense potentially whatever is thinkable, though actually it is nothing until it has thought? What it thinks must be in it just as characters may be said to be on a writing-tablet on which as yet nothing stands written: this is exactly what happens with mind.” He questioned the concept of the mind being a blank slate, and new experiences and interactions dictating what thoughts become, and that there is nothing until these experiences occur.

The more famous interpretation of “tabula rasa” stems from the philosophy of John Locke, where he claimed that the human mind at birth is a “blank slate,” and that all knowledge is attributed to sensory experiences. Locke’s theory eventually developed into his doctrine of “natural rights,” which is a combination of the concepts of free mind and human nature.

Visual Arts teacher Jacqueline LaBelle-Young said, “The idea of this show is to have people show up at the opening to blank walls and create the art on the spot.” She explained that there are pencils, pastels, crayons, and other art supplies available for students to express themselves. One point that the Arts department emphasized was the importance of including all students, whether they are artistically inclined or not. LaBelle-Young added, “We’re hoping this is an opportunity for people to be creative in a free and open format, perhaps especially those who don’t identify as artists. We are all artists when we are small, and then sometimes that gets lost along the way.”

To help ignite creativity, the Arts department has provided different loose prompts throughout the room, such as “science,” and “stick fgures.” Julianna Lukacs ’20 said her favorite prompt was stick fgures, and enjoyed the gallery because “it is interactive and something that the whole school can participate in.”

The community show has given students and faculty a space to create art, and they have already almost flled the entire space with imaginative drawings and concepts. Joss Aiken ‘22 “liked how we could represent ourselves,” and thought that the gallery “showed the larger community at Hopkins.” The gallery is open all day and members of Hopkins can show up at their convenience to draw on the walls up until early January when the show closes. Many students have already visited to add and observe. Olivia Wen ’20 said, “It’s been really interesting seeing the community show develop with the different types of expression students have to offer.”

Editor in Chief 
Eleanor Doolittle

Managing Editor 
Sarah Roberts 

Zoe Kim 
Anushree Vashist
Juan Lopez
Orly Baum
Katherine Takoudes 
Julia Kosinski
Anjali Subramanian
Emmett Dowd
Lily Meyers 
Ella Zuse
Zach Williamson 

Saira Munshani
Sophie Sonnenfeld
Kallie Schmeisser

Veronica Yarovinsky
Teddy Glover
Abby Regan
Maeve Stauff
Izzy Lopez-Kalapir

Arthur Masiukiewicz 

Arushi Srivastava
Nick Hughes

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The Razor's Edge reflects the opinion of 4/5 of the editorial board and will not be signed. The Razor welcomes letters to the editor but reserves the right to decide which letters to publish, and to edit letters for space reasons. Unsigned letters will not be published, but names may be withheld on request. Letters are subject to the same libel laws as articles. The views expressed in letters are not necessarily those of the editorial board.
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