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    • Lavache ’18 competes with the Hamden Academy of Dance.

February Artist of the Issue: Kiarra Lavache

Emilia Cottignoli ’18, Arts Editor
People sometimes question whether or not dance is a sport, but the reality is that dance is both a sport and a performance art, making it a diffcult and impressive form of physical activity. It requires intense concentration, fexibility, and strength, culminating in exercise that strains both the body and mind. Dancers, unlike other athletes, have to make everything look easy, and learn to interact with their audience. Hopkins is home to many athletes, including several dancers in each grade. Kiarra Lavache ’18 is one such performer.
Lavache joined Hopkins Dance Crew as a freshman, and is currently a head of the club. “Being a part of Dance Crew has helped me improve my choreographing skills, something which I had little experience with prior to joining the club,” says Lavache. Hopkins witnessed Lavache’s talent at the Class of 2018’s Five Golden Rings assembly, during which she and other students choreographed and
performed a routine. But despite our two-minute glimpse into Lavache’s sphere of dance, her diligent training is a product of a lifetime’s worth of instruction.

Lavache has danced for twelve consecutive years, making this year her thirteenth in the studio. She currently studies at the Hamden Academy of Dance and Music, as a member of their company. Lavache both performs and competes in group numbers with her studio. This past November, Lavache competed as a member of a hiphop group called Megahurtz at World of Dance, an elite competition with studios from across the country. Her studio has also travelled to Hershey Park in Pennsylvania, in addition to attending several local competitions.

The world of competition dance is intense, romanticized as strict and hyper emotional by television shows like Dance Moms. But in reality, these popular programs only focus on younger children who do acrobatic dance, which diverts sharply from the classical training that many professional dancers pursue. “I only really watch to see the girls dance,” says Lavache. “They romanticize what it’s like to be a dancer. As the audience, it’s important to note the difference between competition and performance dance.”

Most dancers are versatile, and like Lavache, are skilled in more than one style. Her favorite genres are pointe and hiphop, two seemingly polar opposite realms. “I like the challenge of pointe,” she says. “Not everyone is cut out for it.” Pointe is an advanced form of ballet, reserved for those who have already mastered dancing in regular leather slippers. The wooden shoes covered with satin are held together by nails and glue, rendering initial attempts painful and unsteady instead of graceful. Hiphop, on the other hand, does not confne to delicate movement, but is more interpretive, splitting into several subdivisions like breaking and popping.

Ballet requires knowledge of an extensive list of terms, from battement fondu to pirouette en dedans, stemming from French words. Lavache, a French student, says the language connection is helpful for both mediums. “They both feed off of each other,” she says, aiding her in the classroom and the studio. Being a dancer and a Hopkins student isn’t easy, but Lavache has earned to manage her time well, juggling academics, sports, and friends as well as dance. The challenge has only made her more experienced and self-disciplined.

In college, Lavache wants to continue practicing her love of dance. “It’s good exercise and I like the way it makes me feel,” she says. She has spoken with her dance instructors about her potential future regarding dance. In terms of advice for prospective dancers, Lavache is supportive of anyone who wants to try dance. “People think you have to be born with natural talent to do it,” she says. “That is not necessarily true. Even though it’s a lot of work, it’s been fun for me, so I encourage others to give it a shot!”

You can see Kiarra in her next performance as Heather Chandler in Heathers The Musical: High School Edition.
Editor in Chief 
Theodore Tellides

Managing Editor 
Katie Broun

Sarah Roberts
JR Stauff
Zoe Kim
Julia Kosinski
Connor Pignatello
Izzy Lopez-Kalapir
Lily Meyers
Veronica Yarovinsky

Ellie Doolittle
Katherine Takoudes
Leah Miller
Connor Hartigan
Saloni Jain
Simon Bazelon

Audrey Braun
Alex Hughes
Teddy Glover
Anushree Vashist
Sara Chung
Saira Munshani
George Kosinski

Olivia Capasso
Elena Savas
Noah Schmeisser
Ziggy Gleason
Casey Gleason
Melody Parker
Arthur Masiukiwicz

Nina Barandiaran
Arushi Srivastava

Business Managers
Caitlyn Chow
Sophia Fitzsimonds

Faculty Advisers
Elizabeth Gleason
Jennifer Nicolelli
Sorrel Westbrook
The Razor's Edge reflects the opinion of 4/5 of the editorial board and will not be signed. The Razor welcomes letters to the editor but reserves the right to decide which letters to publish, and to edit letters for space reasons. Unsigned letters will not be published, but names may be withheld on request. Letters are subject to the same libel laws as articles. The views expressed in letters are not necessarily those of the editorial board.
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 an open forum publication, is published monthly during the school year by students of: 
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